However, a massive wall also creates a sizeable ‘hole’ between the floor and the rig. “The purpose of the massive wall is to have large environment that can reach out to the people at the back of the lawn or arenas. Why did you elect to go with a blow-through concept for your video wall? Therefore, this year, we were also managing the production design and creative direction.” The artistic direction of the show is more and more driven by the content and for this summer, the idea was to work with a large blow through wall and have some physical lights behind the screen that could be reactive with the video. “This is our third tour with Jason as screen producers. So with a 24-song show, the various looks still have a consistency and are not going all over the place. Their designs are driven by the overall vision. In this tour, the set extensions are often not literal with the song. Everything becomes very cohesive when we can bring I-MAG within this architecture. We love to define space by creating 3D pieces that match with the actual stage. “The virtual set extension is a Luz Studio art form. Can you tell us a bit about how that was accomplished? Somehow, it managed to endow the stage with very different looks throughout the show, while still maintaining a consistent mood and character. Your massive, and very impressive video wall with is 3D geometric patterns was a defining design element on this tour. Toggle Menu CHAUVET Professional Toggle Menu Rogue R2X Spot and R3 Spot (2) Road Case.Maverick MK2 Wash and MK Pyxis (4) Road Case.Maverick MK2 Spot/Profile and MK1 Spot/Hybrid (2) Road Case.
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